Design a site like this with
Get started

July 26, 2020. TIME

– – –

"History" by S.J. Saighead
What lies below, wait to arise?
The past may be done, but always will rise
in moments of quiet, when thoughts occur,
the past will find you, simply waiting for
a chink in your armor, built over time
of gold and of silver to strangers fine.
But you know its waiting for time to pounce,
you give history an inch, it will denounce
the present and future over which you laboured,
to create something, someone favoured.
Great tragedy can be buried in sand,
But we know over time it soon becomes land
on which you live, your roots are set,
but your past shall live, so don’t dare forget.

– – –

“Time” by Connor Orrico

words the time and space of language as I understand it which is to say as I misunderstand it I speak them from somewhere beneath my bones I write them for lack of space in the elsewhere I dress myself in

let us how I do enjoy the first person plural let us not get too poetic too dandy though I suppose what do I suppose well life as it once was as it is as it is not becoming yet will

my life so called my room so temporary like the body both eternal both an infinite sepulcher I will walk the perimeter then the interior or the interior then the perimeter or and this is certainly what I will do the space and the nonspace oh perhaps that miasmic diction is Cioran’s influence though I recall something else from two grandparents with hands stained yes and no and high school eyes oh who said we can never be original perhaps forgive me

back to words back to person back to life and room how all of these I lack without lacking might I jettison their absence to sink with the bliss of millstone I write as I feel so called I write as I am so called I write now which is the false extension of then as everything is what together like a straitjacket my palms do not change I simply lack the perspective

memories of words memories of person memories of memories erase them which are me tautology that is okay that and nothing else beneath my bones I shiver the fetid

quiet words yes my suicide footnotes started when in the kitchen I learned to tie my shoe then presumably to write all of these pasts one point one now I extricate to wind the music box I suppose my room then my room now different and different a parade of pasts press phosphenes into the language of my room my so called life my library of suicide notes that are not and are oh perhaps that miasmic diction is what

quiet memories forgive me as it once was as it patterns itself here a subset of there a permutation of where I write as I write as I feel to sink as I misunderstand it the language of disease the endless etymologies eagerly consumed

thousands of thousands of pages of black ink from gray eyes from white blinding light mountainous insipid to phantom creaking joints futile fourth floor stills of languishing speaking somewhere with hands stained their absence my life so temporary not enough insatiable fragility I can fracture my room my memories my

so called writing not becoming yet and what back to person straitjacket palms time beleaguered laying beneath my absence my quiet parade my suicide quiet back to nonspace the words of it the time of so called person I sink I feel I lack I oh that poetic miasmic blinding body of language that noise in my palms beneath memories yes my thousands of eyes from my room reaction formation of arachnids to recoil associations to renounce having been consumed to odium of self a silence of words so called my name tautology that is nothing else

the hours frictive the thousands of memories night-foundered to be open to insects in my bed in my room my pathology lapsarian remorse I feel I know I neither yes that is okay back to everything to life so called

to the chatter of time to the delusions yes the delusions no I feel my bones erase them I write false nothing else thousands of nothing else thousands of thousands of nothing else speaking a silence having consumed my name and its etymologies its patterns its pasts I write as I feel oh yes like a body like nothing unique thereby phantom unique thereby the path I saw once when time was avicular chatter axiomatic nothing creaking

quiet creaking yes perhaps thousands of creaking suicide notes so called thereby suicide so called bildungsroman the language of person night-foundered morning-joyed yes but back to my life the millstone quiet nonspace and space I shiver the fetid the chatter the hours I suppose well what do I suppose as it is

gray language gray person back to so called my life and words noise of too poetic too lacking let us suppose

perhaps let us suppose my library grew beneath my bones stained yes it grew when I learned presumably these pasts from two false words yes no

memories of Cioran’s memories no I shiver as it is not yet will for lack of space a subset of misplaced though I recall the words of language as I understand it I dress myself in phosphenes which are me my memories so called

beleaguered I write elsewhere I suppose what I do I laying beneath my life the perimeter together like memories pressing quiet etymologies of suicide too what never original forgive me elsewhere misplaced renounced speaking beneath

them which are words which are nothing which are the miasmic person my palms never my life too so called beneath so endless I will feel I will

recall the memories name the disease change the sheets

speak the time and space of language in silence

my library my life

let us suppose what back to back person to room erase them

so called writing so called vomiting my bones to the chatter I sink time is the shiver time is the fetid time is the what I suppose the so called the languishing the hands the person I sink I feel I lack I recoil

associations of absence thousands of phantom music pasts in the kitchen in the so called memories like the perspective of nonspace and insects I understand that I am a name and body and quiet endless notes the diction I change now like a straitjacket never elsewhere stained when I gray when I in the disease of time with hands insipid the perimeters of time I recall

so called laying a subset of when I grew my eyes when I learned elsewhere how all of these memories of language somewhere consumed so temporary from my room which my life eagerly is beneath I write too much I shiver

I dress my memories fetid erase the sheets which are myself too poetic too dandy something quiet from my suicide becoming the miasmic person so called my palms yes arachnids I sink to space and words so called I suppose chatter as it is as eyes renounced everything so called back to beneath back to the axiomatic let us suppose the words vomiting my life my room memories of my person thousands of phosphenes press back

– – –

"I relapsed, so did you, time's a game for two" by M.A.A.
A chess sesh, a royal fancy, two lads
at a match in frenzy, neither sane
one shall stay, a lot of buzz
for a stupid game
the old hand’s rough, beardy
plays like a veteran
at time's match, rather silly
while the young buck
small, accordingly ugly
plays it safe, god willing
nothing but an early vanish
keeps a man ready
to dodge the savage.
Anyways, it goes like this
a winner takes over
the other's essence
and the loser's ruling
is to succumb to the void
to be physically senseless
mindless, reckless, leviathan's
meal, its senile feasting
and the arena changes
from plastic walls to electric locks
to love's loss, to loss of love
to war's drums, to hired guns
teacher's sword, lieutenant's pen
son's betrayal and enemy's friend.
Friend, flip the table
when victory flees
this four dimensional being
pretends to see
us all in his seed
yet only children will decide
which monuments survive
all lies, the whole fable
please, flip the table.
But the old man is an honourless fucker,
 "don't you look into my past,"
yells the young pal sobbing
miniatures fleeing, the climate
justifiably self-murdering
"how about you don't look into my eyes,
you death cheating son of lies,"
fighting words, all in smiles
a few cups of coffee, mouths
wide open for snakes' growls
Ouroboros is about to let it all out
shit, here it comes, the final move
the old boy runs out of time
behind the ceiling of endless
blackness, he goes senseless,
swallowing, injecting
numbness, someone's
throwing up their lungs
what's more
but an early vanish
makes a man outlandish
I mean –
keeps a man ready
to dodge the savage.
“Time’s a game for two” by M.A.A.
"now is the time" by Linda M. Crate
they say there's no time
like the present,
but sometimes they whisper
now is not the time;
if not now then when?
how many innocent
people must be slain,
and how many dreams
must die?
i just want the world
to be more full of dreams than
and i grow tired of the divisions
of people and those who choose
willful ignorance instead of being able
to admit they are wrong;
and allowing themselves growth—
if every life matters,
then now is the time to put your
money where your mouth is;
there are so many suffering
we need to end their plight and be more
than a blight of society and the world
because i know we can be more
than all of this discord.

– – –

"Novus Dies" by Laura Stringfellow
January bides the last furtive
revelry of New Year's
in the hour before the dial
turns, like the combination
clicking on a high school locker
where the halls were heavy
with sweat and testosterone,
the feral defiance of youth.
                        Or further back
when the maps of Magellan lined
the walls of the school room,
their square, laminated faces
calling out to the eager among us,
where the cheap drug store clock
tick tocked, and the air was filled
with fevered optimism.
                        Now, it seems,
we only meander through the fog
like a ship that strays from its last
course, the rolling eye of the compass
searching desperately for home.
                        The hands
of the clocks turn six times
as we drink down the eve,
the bite, the sting of loss
and become numb, subdued
with the uneasy ache of nostalgia.
In the distance, a church bell rings
and then dissolves into silence. . .
Until, at last, a new morning
slumps forward over the horizon
and bares its bright teeth against us.

– – –

“Season of a Love” by Alberte P. Steengaard

She was perfect. Her small frame always seemed to fit perfectly in my arms, and with her head on my chest I felt home. It was impossible to not fall in love with her. She was one of those people with presence. Everyone fell in love with her a little when they saw her smile or heard her laugh. And she was always laughing, always so attentive. Yet somehow completely oblivious of her effect on people. People wanted to hear her speak, they listened to her. She was magnetic.

How, or why, she ended up with me I will never know, much less understand. The first time she kissed me I froze. She was so apologetic because she thought I didn’t like it, but in reality my brain just short-circuited. We were eating ice cream in the park and a pigeon nearly flew into her head, so she jumped. And then she laughed. I can still see the picture in my head. The ice cream slowly dripping down her finger, and her head thrown back in a full on belly laugh. Then she stopped she leaned forward and planted a sweet kiss right on my lips. I could taste the ice cream vaguely. Just like that, she was mine, and I was hers.

They say the people who smile the brightest, hurt the most. The first time I saw them she stormed out, and then didn’t talk to me for a week. Her scars. Small white lines on the top of her thighs. I tried to help her, but she fought me. She told me she didn’t deserve me. I couldn’t get it to make sense – I was the lucky one. There was nothing I wouldn’t do to help her. I held her through her nightmares and wiped the tears from her face. I told myself we could get through it. The two of us, that our love would be enough. To me she was still perfect, that never changed for a second.

It was a cold January morning when it happened. I came home after another night shift, and every window in the house was open. The cold crept into my soul, and it gave me chills. As I pushed open the door to the bathroom I knew. I saw her. She was dancing, as light as the snowflakes that had started to fall, down the street. As she passed the streetlights, they turned off one by one, letting the light of dawn take her place. She was free, almost flying, her skirt slightly bouncing with every step she took. And just like that, she was gone.

– – –

Next week’s theme: BEYOND

Submit at

More information under ‘Submissions’ above.

Published by artisticdifferencescurator

My name is Seán and I am the creator and curator of the Artistic Differences Project. I started this project during the lockdown in Ireland due to COVID-19 in March 2020 as a way to get my friends and I creating during a troubling time. From there the project as gone from strength to strength and now we publish a new exhibition every two weeks.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: